Arts leaflets and programmes: presenting various theatre and other arts activities.
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Includes: The Bulletin of the National Sound Archive 1998; ldeaflet: The Gallery of the Future; Shock Waves - Portsmouth: an exploration of the creative and social impacts of the new technologies and new physics on the Arts; The Opera Factory (letter) presents And the Snake Shed Its Skin; programme from the Museum of London; Evolving Links, the 1998 Community music conference event presented by Sound Sense (leaflet ); Between the Worlds, Integrated Arts practice for people with profound disabilities (leaflet ); Second National Street Arts Meeting organised by the South East Arts Local Authority Street Arts Consortium; The Drum: programme; The Royal Court Theatre programme, April-June 1998; The Lewisham Theatre Diary of Events, April - June 1998; TheTricycle Theatre: three leaflets presenting Pieter Dirk Uly, Europeans Only, An African Audition for Europe by Polly Irvin; The Basset Table by Polly Irvin; Sitting in Limbo by Dawn Penso and Judy Hepburn directed by Anton Phillips.
Includes: The Bulletin of the National Sound Archive 1998; ldeaflet: The Gallery of the Future; Shock Waves - Portsmouth: an exploration of the creative and social impacts of the new technologies and new physics on the Arts; The Opera Factory (letter) presents And the Snake Shed Its Skin; programme from the Museum of London; Evolving Links, the 1998 Community music conference event presented by Sound Sense (leaflet ); Between the Worlds, Integrated Arts practice for people with profound disabilities (leaflet ); Second National Street Arts Meeting organised by the South East Arts Local Authority Street Arts Consortium; The Drum: programme; The Royal Court Theatre programme, April-June 1998; The Lewisham Theatre Diary of Events, April - June 1998; TheTricycle Theatre: three leaflets presenting Pieter Dirk Uly, Europeans Only, An African Audition for Europe by Polly Irvin; The Basset Table by Polly Irvin; Sitting in Limbo by Dawn Penso and Judy Hepburn directed by Anton Phillips.